musicademy outstanding practical worship tuition
Musicademy
The world's best instructional resources for the worshipper
Skip to content
  • Home
  • About
  • Store
  • Blog
  • Contact
  • Members Area
  • LOG IN
  • MY ACCOUNT
  • Learn more about Musicademy products

    • The Musicademy Portfolio
    • Playing By Ear
    • Guitar (Worship)
    • Guitar (Rock & Pop)
    • Bass
    • Keyboards
    • Drums
    • Orchestral Instruments
    • Singing
    • Singing (Harmony & BVs)
    • Worship Backing Tracks
    • The MultiTrack Player

    Questions? Check the FAQ

  • And other bits…

    • Affiliate Marketing with Musicademy
    • Teaching using our DVDs
    • Worship training days
    • Local courses
  • Latest Free Videos

    NEW Worship Backing Band MultiTrack Player with key & tempo change

    Playing hymns on keyboard - How Great Thou Art - video lesson

    Worship guitar lesson - Substitute chords in C

    Worship bass lesson - In Christ Alone

    Free lesson - learn to sing the harmony part to Beautiful One


  • Free resources for church musicians

    New? Register with Musicademy to access free worship resources and sign up to our free worship magazine.


    Existing members Sign in here for the members area.

« Vocal Health – video tips
Newsletter – January 9 2009 »

Small Amps Great Sound (Part 3)

By Andy@Musicademy | January 8, 2009

Right…I think I’m getting there! My cunning plan is coming together…sort of. Just to recap I wanted a small lightweight tube amp that would be ideally suited to a worship band environment. It had to have great tone but be no more than 7 or 8 watts because, for the volume that most churches play at, you really don’t need any more than that to drive the amp properly. I also wanted it to be portable, lightweight and be able to store some pedals. Kind of a one box amp solution.

The amp it self was actually the easy part. I decided I wanted something based around the tweed Fender Champ circuit from the late 50’s/ early 60’s. The Champ was originally intended as a practice amp but found its home in studios as it had great tone at modest volume and has probably been used on more classic rock and pop records than any other amp.

So it has the tone but it’s also simple which means small and light. Basically one channel with a volume control, two inputs and that’s it! However the original Champ combo just had an 8inch speaker which hugely limited its appeal for live situations, which is why some boutique makers are putting them into larger cabs with great effect and that’s exactly what I’m looking to do here.

After weighing up all the options I mentioned in the previous blog I eventually went for a Champster chassis from Lil’ Dawg amps and decided to source the cabinet myself to my specs that could incorporate a decent 12 inch speaker the pedal board etc.andys-finished-chassis-front-view-worship-guitar-amp

Lil’ Dawgs main man, Jim, hand-builds three flavours of Champ based chassis in 5 watt 8 watt or 12 watt output ranges starting at an incredible $279! I also found out that he happens to be a Christian too so understands exactly what I was trying to achieve from a worship band perspective.

I went for the aluminium version rather than prettier and more expensive chrome chassis and opted for the narrow panel design which is top mounting behind the speaker rather than a ‘head’ style which could be mounted on the bottom of the cab or on the top but upside down.

Jim patiently talked me through the options and whilst still trying to keep to my $500 complete budget I couldn’t help but add one or two extras!

So I went for ‘New Old Stock’ tubes, an upgraded Heyboer Output transformer that would allow me to switch between 110v and 240v, a line out facility so I can go straight to the PA, a no-negative feedback switch which without being too techie lets the amp sound more bassy or trebly, plus an extra GZ34 rectifier tube that will let me run larger output tubes like the 6L6 if I need a bit more power and volume.andys-finished-chassis-rear-view-worship-guitar-amp

Jim emailed me on progress and even sent me photos of the chassis while it was being made. How’s that for service? So as you can see it’s a top quality product all for a measly $325 US dollars!

I know for us Brits with the current exchange rate that isn’t anything like the bargain it was but it’s still VERY cheap compared to similar UK priced products and hey, I even got to choose what colour knob and jewel light I wanted! 

So all I have to source now is a speaker and cabinet. Which of course, isn’t quite as simple as it sounds… I’ll keep you posted.

Share this post: These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • Facebook
  • Technorati
  • TwitThis
  • StumbleUpon
This entry was posted in Guitar and tagged amps for worship, andy chamberlain, fender champ, guitar amp, lil dawg, little dawg, small guitar amps, worship guitar. Bookmark the permalink. Trackbacks are closed, but you can post a comment.
  • Nick

    Hi there.
    If you’re planning on having a cab made, could I recommend Matamp? They have a “wall of speakers” so you can try your amp out through loads of different speaker types, and then chose.
    And they’re much cheaper than most boutique manufacturers.

    Also theres “MaRtamp” (google him), who works for Matamp but also does his own thing.

    I went through all this myself in 2007, but I wanted more than one channel – so the amp provided all the gain, not pedals.
    Ended up with an Elmwood Modena 60. 2 channels, 2 gains per channel, 60w with a 1/2 power switch, and sounds good at low volume so it does the job at church and in gigs.
    Makes a Mesa Single rec sound thin when pushed, does a great AC/DC sound too, and decent clean.
    2 volumes for a lead boost.
    Unfortunately made in Sweden, so price in Euros, which ain’ t gonna be pretty.

  • Daren

    I’m just starting to play electric at church, having been a bassist primarily, then doing more acoustic. I’m looking at small, cheap amps and have read great things about the Blackstar HT5 series (in Guitar and Guitarist) – 2 channel 5W valve amps, either stack or combo at very low prices (around £250 for the combo). Have you come across these yet? Have any opinions?

  • Malcolm Douglas

    This has been an interesting series of articles and I have learnt a lot from them. I don’t think $325 for just the amp is very cheap, the Fender Champ 600 with its 6 inch speaker is about £150 and it has an external speaker output for a bigger speaker if required. Epiphone produce a 1 x12” cabinet with an Eminence speaker in it for just over £100. None of this will be hand made but I wonder who will be able to hear the difference when it is in use. I have not heard a Blackstar HT-5 Combo but it is an interesting package for around £300, but so is the Fender Super Champ XD at about £260 and it has 16 amp modeling settings; this might be a good choice for someone starting to play electric guitar.

  • Bill

    I know that you ordered one. However, there is one in the States that is a bit more expensive but has killer tone. I own the original Atomic Space Tone myself.

    http://swartamps.com/amplifiers.htm

  • Andy Chamberlain

    Hi Bill

    Yes I have seen these and I’m told they sound amazing. In fact they are exactly the right spec for what a lot of players would really need in a worship band amp. Great tone, light weight, low power, beautifully constructed. But you’re right they are a bit more expensive, in fact in the UK once you ad tax, shipping and import duties you’re almost looking at £1350 UK pounds, which actually is still not astronomical for the quality but probably out of most non semi-pro’s price range.

    – I guess what I’m aiming at is if you can do a similar but perhaps simpler thing in but at a production amp price range – say under $500, so that’s the plan…

  • Bill

    Swart (as in Michael Swart) is a little company in North Carolina that is producing Class A (so tubes won’t last as long as the AB type), but in terms of tone, I have not heard any better for the price point or even higher prices, and when you are your own roadie it is important to have light weight and his Amps are all lightweight.

    It is very difficult to find high quality tube amplifiers for $500 US especially class A. I mean even the Fender Blues Junior is $650.00 list and it is nice (I have an older one of these too), just not as nice as the Space Tone.

  • andy

    thanks for all the comments so far. Nice to know people actually read this stuff! i’ll try to respond in the order they were received .
    First, Nick, yes i have seen the Matamp cabs. Your right, for a hand made unit they’re pretty reasonably priced although you do have to choose one of their celestion speakers which wasn’t what i was necessarily looking for to partner with the tweed champ head (i’ll post more about this next month). Another similar option i looked at was the Orange PPC 112 which is pretty simliar but made in china for just under half the price.
    Also the other factor is weight, Matamp makes them pretty heavy duty and whilst they’ll survive a bomb blast, i’m just tired of lugging around heavy equipment so am looking for something a bit lighter to carry.
    In fact i played at a healing service the other day and on the way out i actually twisted my back carrying a couple of cabs to the car! funny huh?!
    I am really impressed with the Martamp though. excellent prices for UK hand made amps, another one i’ve just come across in is /www.englishvalveamps.co.uk/ – again all hand made and top quality components, but pretty reasonably priced for the amount of work involved.
    Elmwood is a new one on me and i just checked out their site and reviews. Yup, real top quality stuff. They look pretty solid. are they heavy to carry around?

  • andy

    Daren, yes i have seen these! not played one yet but a few people that i respect are raving about them.
    i think they are actually based around the HT dual pedal which is supposed to be very good, so i’ll try one out at some point soon and blog it.
    One word of caution though, a number of the dual channel smaller amps are often voiced to obtain the best distortion sound and the clean sometimes gets a bit overlooked, which is fine for classic rock or metal but since this is predominantely catering for worship band guitarists we do want to ‘occasionally’ focus on gentle, clean sounds, right?!
    Now i suspect the HT5′s clean sound probably be pretty good but its worth checking out thorughly that its the sound you want before you buy.

  • andy

    Hi Malcolm

    Now this is a great question that a lot of people ponder. Why spend up to a grand (or more) on a boutique amp when something like the Fender champ 600 or the Epiphone Valve junior will do basically the same thing with the same specs for considerably less wedge? For me the old addage of ‘you get what you pay for’ is applicable here but perhaps not the whole story…

    Certainly its really worth comparing the sound of something like the the unit I’ve ordered above with an Epi VJ . Now while the Epi is terrific for the money you may well notice a difference in background noise, clean headroom (percieved volume) and overall depth and complexity of tone.

    Also if you were to look inside both the boutique amps and the 600/VJ there is a big difference in overall quality of each component, all of which affect the tone and longevity of the product. In fact on the web there is now a thriving cottage industry of people offering mods and upgrades to eliminate the shortfalls in the cheaply made elements of these amps. You can even buy a modded 600, vJ, Harley benton GA5 or Little Giant which is a great value way to a really good sound for little money. So each bit does add up in some small way. Obviously the cost of getting one individual guy to hand solder every component is going to be way more than a mass produced item but I really do believe that a well engineered hand made amp based on a tried and tested circuit that has had years of R&D pays dividends in sound quality and reliability.

    So having looked into this for a while $325 for a single guy to do all this is actually pretty good value, especially compared to something of similar quality like a victoria 5112 at $1195. Of course this includes a speaker and cabinet which will add around $310.

    But other part of the story is – what are you trying to achieve sound wise? Maybe think of it like buying a car. Now if you just want to get from A to B then a Kia Picanto (cheap runaround) is going to be much better value than an Audi R8 (supercar). They’ll both do 70mph and in traffic the kia will get you to your destination just as quickly as the supercar. However, if you are an ‘enthusiast’ you’ll want to push the limits of the audi to find out what it can do and ultimately the audi will be worth the extra to you if you have the financial means.

    Similarly, for many of us as guitarists our overall tone is part of what shapes the way we play. Even if the audience or congregation can’t hear the difference, WE can, which helps to play better and ultimately express our worship to God on our instruments in the best way we know how, which why so many of us enjoy this pursuit so much.

    Unfortunately for many guitarists this will embark them on a never ending (and expensive) quest for the ultimate tone (spinal tap moment?) as they develop their playing technique. So for most people whilst the Audi R8 option is never really financially viable, they are always looking for most of the performance at half the price. So even if you can’t get to a good guitar shop to compare sounds, do scan youtube as most amps are demoed there (premierguitar do some great demos) and see what you like.

  • Pingback: Newsletter - January 9 2009 | Musicademy

  • Thomas

    Hey Andy,
    where are parts 1&2 of this?

    Thomas

  • http://www.musicademy.com/ Marie from Musicademy

    Here they are
    Small amp, great sound – part 1, part 2, part 3, part 4 and part 5

  • http://www.musicademy.com/ Marie from Musicademy

    Here is part 2 http://www.musicademy.com/2008/11/small-amps-great-sound-part-2/
    And part 3 http://www.musicademy.com/2009/01/small-amps-great-sound-part-3/

  • Suggestions for You

    The "Cut out and Keep" Guide to How Chords Work
    The "Cut out and Keep" Guide to How Chords Work

    5 things that happen when the songs are too high
    5 things that happen when the songs are too high

  • Free resources – index

    All the blog's free resources
    Guitar
    Vocals
    Keyboards
    Drums
    Bass
    Orchestral instruments
    Worship
    Tech stuff

  • New blog posts by email

    Enter your email address:

  • Recent Comments

    • Marie from Musicademy on Ask the Expert – Advice on headset mics
    • Alyson on Ask the Expert – Advice on headset mics
    • Marie from Musicademy on Ask the Expert – Advice on headset mics
    • Forrest on Performance vs Worship. 6 things to consider.
    • Chad Wilson on Performance vs Worship. 6 things to consider.
  • Categories

    • 50+ practical tips
    • Administration
    • Ask the expert
    • Chords & strumming patterns
    • Free Worship Magazine
    • Free worship resources
      • Bass
      • Drums & percussion
      • Guitar
      • Keyboards
      • Orchestral instruments
      • Vocals
    • MusiComedy
    • Pick of the best – favourites
    • Song writing
    • Tech stuff
    • Visual worship & creativity
    • Worship
    • Worship leading
    • Worship theology

Copyright © 2008 Musicademy :: Musicademy Directory

  • Home
  • About
  • Store
  • Blog
  • Contact
  • Members Area