So far in this series we’ve had 10 tips on stage placement, 10 tips on playing together as a team, 5 on communication skills 11 on rehearsals, 5 on soundchecking and that’s before we have even started on the individual instruments. We now turn our attention to the individual components of the band starting first with rhythm so this week drums, next bass and so on.
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If in doubt don’t use a drummer!
Drums are the most dynamic and dominant instrument, so has the potential to add the most but also cause the most disruption. So actually as worship band you are better off with no drummer at all rather than an insensitive/out of time/self seeking/unconfident (delete as appropriate) one. -
Practice to a click
Timing is everything. A good sense of time is the most important skill. Most drummers speed up, some slow down which feel like it sucks the energy and dynamics out of a song and some do both – not good! We can all improve our timing and consistently practicing to click makes all the difference. -
Consistent groove
If you want to define the drummers job in one sentence I would say “lock – it – down”. A great team drummer provides one good clear groove for the whole song that everyone can lock into. Freestyling because consistency seems too easy or boring is just not an option for the rhythm section in a team environment. Consistent grooves perfectly serve the song, the band and the congregation. If you have a constant need to change it up to express yourself you are playing the wrong instrument. -
Side fill.
Position yourself where you can see everyone’s face. In organic worship music that changes on the fly its really hard for the drummer to communicate with the worship leader and the rest of the band if all they can see is the back of their heads. So try putting the drum kit at a 90 degree angle to the side of the stage just slightly in front of the band so you have clear sight lines. it will dramatically improve your communication. -
Match the intensity of the song and other musicians.
Don’t go nuts in the plastic cage! If your church uses drum screen or even a cage, the temptation is to play as loud as you like because you can’t be heard acoustically. The trouble is that the intensity of your sound is at 10/10ths whilst the rest of the band is still at 6/10ths. So try and match their intensity with yours. It’ll feel like you are playing together as one unit rather than 5 individuals.
Other posts you might find helpful:
50 Tips – Communication skills for worship teams
50 Tips – Playing together as a team
2 Comments
We have a 180 person sanctuary designed for traditional use; however our early service uses a drum kit. Shields and cages look a little, alright a lot, out of place so we have been experimenting with different sticks.
Obviously most people would say use Hot rods or Blasticks (usually my first response), but with not miking the drums this puts the drum sound behind tempo by the time it catches up with the FOH speakers.
After many trials we have found that the Vic Firth American Jazz sticks do the trick. We use an AJ6 sometimes (cause if you play to loud it breaks) but more often than not we have settled into an AJ5.
The sticks are really light and take a little time to get use to but really aid in balancing out dynamics.
A lot of music stores in the States don’t carry them so we usually have to order them but they are a great stick.
http://www.vicfirth.com/products/americanjazz.html
Hope this helps.
Peace of Christ to you all.
Later,
Bryan
If you are drumming behind a screen or cage and using in ear monitors, as well as having the band in your mix try and get some sound from the congregation in order to avoid feeling totally cut off. This will help you to engage in the worship and give you an awareness of what the rest of the band and congregation are experiencing.
If drums are too much in some worship times but hand percussion is not quite enough try using the kit with the snare off, using shakers etc instead of hi-hat. Lay a tambourine over your hi-hat and keep a beat going while playing the toms. Change your crashes for splashes and experiment playing different parts of your ride cymbals.
There’s so much more!!
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