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« Christmas video loops from Engage Worship
Musicademy Worship Magazine – 13 December 2010 »

What’s wrong with tradition?

By Tim Bowdler | December 12, 2010

iStock_000014231584XSmall

I was watching the BBC News this morning and inbetween the tales of stranded motorists, planes skidding off runways and items telling me how to make the perfect mince pie, was a performance from a gospel quintet singing Hark the Herald Angels Sing.

The five sang jazz, accompanied by um… jazz piano. They sang with a swing and moved with the kind of rhythmic bounce that would compel even the Grinch to tap a toe. All dressed in full-length red gowns with – rather bizarrely – dog collars, I realised that what I was watching was, to your traditional pearl-wearing BBC viewer, an ‘alternative’ version of a standard Christmas carol.

Now, here’s a thing. I’ve played drums at two Christmas services and one full-on carol service this year and I’ve not heard one ‘traditional’ version of Hark the Herald. I’ve played jazzy versions, rocky versions and even a punky version but not once has the worship leader, prior to the rehearsal of this song, said: ‘I’ll tell you what, why don’t we do it in the traditional way?’

Pretty much every carol I have done has a modern take on it – except Silent Night because everyone thinks ¾ is too weird a time signature to muck about with – and it’s starting to irritate. Thankfully, nobody’s suggested reggae but I do remember somebody in one band say the words ‘acid jazz’ as a serious ‘style’suggestion.

Now, I’m a drummer and therefore I am predisposed to play loud, out of time, insensitively etc. My knuckles drag on the ground, I drool regularly and my communication skills consist of irregular grunts. Kebabs and chips are staple foodstuffs for me. People put me behind a Perspex screen and if they are feeling brave they’ll put their head around it and ask me if I have been fed and watered. Then they ignore me for the rest of the service, quite convinced that they have at least done their bit to make the marginalised feel appreciated. These people have read the Bible particularly the bit where Jesus mixed with the tax collectors.

But hey, let’s tear up Noughties formbook and go trad… man. I don’t need to play four on the floor all the time. Let us play the Holy and the Ivy without putting a musical skewer through it. Let’s slow down the tempos at the end of verses in the traditional fashion. Ditch the loops and embrace the rolls and marches. Say goodbye to groove because… what the heck, it’s Christmas.

Other posts you may like:

Beautiful Christmas images – free
Free Christmas songs
Looking for Christmas Songs?
A magi-cal approach to worship- a reflection for epiphany
Christmas carol medley ipad style
Christmas – big opportunity or big distraction?
Flashmob sings Hallelujah Chorus in a food court
Suitable worship songs for a funeral
Alternatives to guitar led contemporary worship

Other drum related posts written by Tim Bowdler

Get your kit off
Drum teacher’s blog
Worship drummer on fire

Tim Bowdler’s blog is at Lieslieslies.net

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This entry was posted in Drums & percussion, MusiComedy, Worship and tagged alternative, Carols, Christmas, contemporary, traditional, Worship. Bookmark the permalink. Trackbacks are closed, but you can post a comment.
  • Alistair McDonald

    I recall that The Dickies, LA punk Band, who, apart from writing their own material, also did sped-up versions of songs such as the Banana Splits (70s kids TV show) theme tune, and Black Sabbath’s Paranoid, also did a very alternative “Silent night”. I can almost hear it now . . .

  • http://revbobuk.blogspot.com Bob Almond

    Odd that. Hardly a week passes at our church without at least one song in 3/4 time, or even stranger. I’m particularly fond of one hymn we do which is in 5/4 time. I think this might reflect on the difference between eclectic worship and contemporary – we really do use a bit of everything, and there’s nothing odd for us in doing our carols ‘straight’. Different folks, and all that. But of all the services, the one most likely to be conventional is the ‘Carols by Candlelight’ service – because that’s the one where we have most ‘unchurched’ folks, and we want them not to be made uncomfortable by the music. By the gospel, maybe, but not by the music.

  • Coaster

    Traditional vs. Contemporary:

    For years there have been those who’ve come and gone from our church who wanted to sing hymns. I grew up in a So. Baptist church where I did nothing but led hymns from the hymnal with one piano player, waving my arm(s) at the congregation like I was directing a choir. This was at the beginning of the “Jesus Movement.” Soon, there were special numbers where one would bring out their guitar and accompany themselves with it. Next were the youth group meetings where we would sing from songbooks that held modern songs. Next came the Assy of God with the hymnal that, no matter what song it was, sounded like southern gospel. The Free Methodist was all hymnal singing and the music director looked like a peacock sweating in his too-tight suit frustrated that he didn’t have a full-time choir. Finally settling in a Foursquare church, we sang more contemporary songs from transparecies projected from an overhead projector and a new member of the team emerged, the overheadist. Sounds like a circus performer, huh?

    Today’s setup with a power point person and a guitar-centered 4-piece band sans piano, three backup vocalists all on a too small platform, I sometimes feel the longing for a return to the beginning.

    Thankfully some songs of recent publication have a hymn-like feel both musically and lyrically. “In Christ Alone” comes to mind with powerful declarative lyrics. Then I come across a hundred year old hymn called “O the Deep, Deep Love of Jesus” and I wonder if we’ve really progressed to anywhere new at all?

    I was discussing this all with a pastor friend recently and his take was that we need songs that are true to themselves. His immediate response was that songs need to be more like hymns. I asked what he meant and he said we need songs that elevate our vision and display God’s care and plan. What we needed, he said, was a song library that calls us on the one hand to kneel in abject humility and twirl and dance in abandoned celebration on the other.

    One song doesn’t have to declare the whole of the Christian experience in order to be valid. The themes in some hymns of the majesty and nature of our God are captivating, while the intimate lyrics of “Alabaster Jar” are almost cathartic to me. Seldom do we guys get to a place personally where we’re able to let it all out. Most of the time we’re too embarrassed to let anyone see us eyes closed and lost in worship with tears streaming and snot running. Some would call that emotionally constipated. I say it’s never good to let the whole world see your most intimate times with your wife, and the same is true for God.

    Sure, I tire of the same four chord songs week after week and will try for something more musically inspiring even if it’s just to repeat the chorus one step up. The rest of the musicians have no idea what augmented or diminished chords are, let alone how to play or use them, so we’re somewhat limited in our available repertoir. It seems, though, week after week, we are able to bring a mix of old and new that is inspiring, thought provoking and worshipful.

    I guess, in the end, that’s what we were after all along.

  • http://www.musicademy.com/blog Marie Page

    O the Deep, Deep Love of Jesus is one of my favourite hymns. We chose to use it this year when recording our DVDs for orchestral instruments as we wanted an example of a worship song in a minor key. There are very few contemporary songs (other than those Jewish traditional dance inspired numbers form the early 80s) written in a minor key. I think that’s one of the reasons that the melody is so haunting.

    Off topic a little – but I just love the song Coaster mentioned.

  • Steve

    Paul Baloche’s Hallelujah To My King has that minor key feel…

  • Julie

    Thank you, thank you, thank you, thank you.

  • Phil

    We’ve done Silent Night in 4/4 – and it works quite well!!!! Having just got in from a cathedral 9 lessons and carols service – I have to admit that there is something majestic and meaningful in the traditional approach (you’d struggle to re-create the musical impact of the descant part from “O Come all ye faithful” with a standard four-piece worship band). In our own church this weekend we will have a candle-lit carol service which will have some trad carols with trad arrangements – but also some contemporary Christmas songs too. I think there is room for both.

  • Sharri

    Thank you. We did a medley at the speed of light and about 90 db Sunday morning. During Advent, I love the trad styles, tempos and time to reflect on the words I’m singing. Otherwise, as a worshipper, I feel like I’m concentrating way too hard on the mechanics of the ‘new’ musical style and completely missing the point.

  • http://nonamills.co.cc/ Nona Mills

    I think he stands next to me at church!

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