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« The story behind the new Graham Kendrick song – Sailor’s Song
Ask the Expert – how to prevent audio feedback in church »

The CCLI License: What Is Legal and What is Not?

By Kenny Lamm | June 30, 2012

CCLI_

I am constantly asked questions about what is legal and what is not legal when it comes to making copies of music or lyrics in the church. My hope is that this post will make things clearer for everyone. Anytime you copy music or lyrics or distribute recordings of music that is copyrighted, you MUST get permission from the copyright owners. Christian Copyright Licensing International provides affordable solutions for churches in dealing with copyright issues. Much of the following information comes from Paul Herman, Marketing Manager for Christian Copyright Licensing International (CCLI), based in Portland, Oregon and from the CCLI website.

The CCLI License: What It Does and Does Not Cover

Even CCLI license holders are sometimes confused about what the Church Copyright License does and does not cover. The following information should clear up some misunderstandings:

What’s Covered

Here’s the most important thing to remember about the CCLI Church Copyright License: it is primarily designed to assist with congregational singing. To that end, here is a quick summary of what the license covers:

What You Can Do

  1. Print songs, hymns and lyrics in bulletins, programs, liturgies and song sheets for use in congregational singing.
  2. Create your own customized songbooks or hymnals for use in congregational singing.
  3. Create overhead transparencies, slides, computer graphics, or any other format whereby song lyrics are visually projected for use in congregational singing.
  4. Arrange, print and copy your own arrangements (vocal and instrumental) of songs used for congregational singing, where no published version is available.
  5. Record your worship services (audio or video) provided you only record live music. Accompaniment tracks cannot be reproduced. You may charge up to $4 each for audiocassette tapes and CDs ($5 in Canada), and $12 each for videotapes and DVDs ($15 in Canada).

Point #5 is the only slight variation from the “congregational singing” rule. All live music recorded within the worship service (not just the congregational singing) is covered under the Church Copyright License, provided the songs are from the catalog of a publisher/song owner that CCLI represents. There is also a limit on how many recorded copies can be made per service, which is 15% of a church’s license size. Basically, the recording provision of the Church Copyright License is designed for the typical church recording/tape ministry, and is not suited for commercial purposes.

What’s Not Covered

Any song copying activity pertaining to solo/group/choir performance is not covered by the Church Copyright License. Neither is web streaming or rehearsal recordings. Separate permission must be obtained for any of these copying and performance/distribution activities. And here are some of the specific limitations to keep in mind.

What You Cannot Do

  1. Photocopy or duplicate octavos, cantatas, musicals, handbell music, keyboard arrangements, vocal scores, orchestrations, or other instrumental works.
  2. Translate songs into another language. This can only be done with the approval of the respective publisher.
  3. Rent, sell or lend copies made under the license to groups outside the church or to other churches. (It is OK to distribute recordings of the worship service to shut-ins, missionaries or others outside the church.)
  4. Assign or transfer the license to another church or group without CCLI’s approval.

I hope this clarifies what the CCLI license does and does not cover. If you have further questions, you may want to check out CCLI’s support page at http://www.ccli.com/Support/. Their FAQ/Knowledge Base section covers a wide range of common questions and copyright issues. Their SongSearch tool helps you determine if a certain song or copyright owner is covered under the license. Their Help Clip videos offer brief tutorials on various topics. You can also call us at 1-800-234-2446 and press ‘4’ for Customer Service. I have found the customer service representatives to be very helpful.

Further Clarification

The CCLI license permits the church to copy the lyrics, as well as the music, provided the following three points apply:

  1. The song is copyrighted by a publisher contracted with CCLI. To verify the song’s coverage, you may use “Song Search” located at: http://www.ccli.com/usa/LicenseHolder/Search/
  2. The purpose of making the copy is to assist the congregation in singing or to teach the congregation a new worship song. The license would include the worship leading of any ministry solely sponsored by this church. The license would not cover the permission to make copies for the choir, or any performing individual or group, to use while they are performing a special number.
  3. The lyrics and guitar chords may be copied from any source; however, the music may only be photocopied, or scanned, from congregational songbooks, such as Hymnals or Praise & Worship congregational books. It is not necessary to own these songbooks. Music from any type of an arrangement book (choral, solo, instrumental, Worship Leader/Team edition, Piano edition, etc) may not be duplicated.”
  4. What It Costs

The annual fee varies for the Church Copyright License, depending on your church size. Church size is based on your regular attendance for your main service(s). If you have multiple services, use your combined attendance. Here is the chart of fees.

Next, we will look at how you must notate the copyright and license information. This is an area that is very much out of compliance in the majority of churches I have visited.

Kenny Lamm, senior consultant for worship and music for the Baptist State Convention of North Carolina, is a frequent worship conference leader with a strong focus on equipping leaders in North Carolina (USA) and Southeast Asia. His blog, Renewing Worship, features posts that explore ways to renew–impart new life and vigor to–the worship in the local church.


Other copyright related posts you might like:

What are the copyright implications of using a secular song for worship?

Ask the Expert – Is burning CDs from iTunes legal when used for educational purposes?

Ask the Expert – How to copyright and licensing songs I have written

Ask the Expert – Is it OK to make a worship song our own, or should we follow the original recording?

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  • Richard Graham

    It should perhaps be pointed out that there are slight differences between the CCLI Licence in the UK and the US – not least the spelling of ‘Licence’ (with a C in the UK and an S in the US); this article appears to be one that is for the US.

    I also want to point out a major misconception that people have, in my church at least – that being that just because a song is in the hymn book, be it Mission Praise, Songs of Fellowship, Hymns & Psalms and soforth, that doesn’t mean to say that it’ll be covered by the CCL licence.

  • Tim Nevell

    Suppose I own the song book- with musical score (and the church actually owns a large number of the songbooks) so I and the church have paid out already…. and then I need to produce four A4 copies of individual songs for use only within the band? This is purely because: a) we need to work off sheets, rather than mess around with books in the service, and b) we are getting older, and the SMALL print of the songbooks is unhelpful (some books, such as “In Love with Jesus” are astonishingly user UNfriendly if you tend towards needing reading glasses) Reading glasses are NOT an option when playin, for various reasons. So, is that allowed?

  • http://www.musicademy.com/ Marie from Musicademy

    Thanks for your comments/questions Tim and Richard.
    Tim – I’ll ask CCLI to clarify that for you.

    Richard – yes. This article was written by Kenny Lamm who is US based. Well over half our readers are from North America so we like to include plenty of content written from that side of the pond as well as our more UK-centric experience.

    Certainly in the UK Musicademy works very closely with CCLI (in fact they are supporting 4 training days we are running this year) and you’ll be heairing a CCLI podcast from those days on the blog here in due course.

    I don’t think the principles of licensing are so far apart but I’ll ask CCLI to clarify for us.

    Marie (Musicademy)

  • http://www.musicademy.com/ Marie from Musicademy

    Hi Tim. The above page has been written with US churches in mind
    and, because of differing copyright laws, licences administered by CCLI for the
    USA and UK differ slightly to meet the requirements of these laws.

    One of the differences, as posed by your question, is the
    Typography right…aka copyright on the printed page which protects commercial
    publications in the UK for 25 years from the first day of print. So to meet the
    requirements of this protection CCLI in the UK administers the Music
    Reproduction Licence (MRL) in addition to the Church Copyright Licence (CCL).
    The MRL provides the right to photocopy the words and music from authorised
    music publications with the additional right to create customised musical arrangements
    where no published version is available.

    Some music publishers provide the right to the owner of a music
    book to make photocopies of pages for so called ‘ease of use’. However this
    right is at the discretion of the music publisher and if not clearly stated
    within the book permission must be applied for directly. Ownership of a music
    publication does not provide the owner with any rights other than to use the
    publication. However, the MRL was created so that a church owning one music
    copy may photocopy a musical work for distribution to other band members or
    choir.

    Richard is correct in stating that even though a music
    publication may be authorised for making photocopies not every piece of music
    included may be reproduced. Even though CCLI covers over 200,000 songs and
    hymns some music catalogues are not signed to the CCL or MRL meaning direct
    permission must be sought for photocopying their work. Lists of the music
    catalogues and publications can be found here http://www.ccli.co.uk/resources/publishers-producers.cfm

    I hope the above answers your questions. Please visit the CCLI
    website at http://www.ccli.co.uk or contact a
    member of the Customer Services on +44 1323 436101 begin_of_the_skype_highlighting +44 1323 436101 end_of_the_skype_highlighting for further
    information.CWILLIAMS@ccli.co.uk

  • Shari

    I work in Poland as a missionary and have done a lot of work in the worship area. I confess I laughed (just call me Sarah!) when I read that songs cannot be translated w/o the publisher’s permission. Almost no one does that here. We see as many as half a dozen different translations of a single song (and there’s loads of songs translated, the number upped substantially by the internet and the amount of people learning English here.) There should be some standards for translators. I was discussing a recently published songbook with a Polish friend who said, “Too bad they did so much work to produce this and even got copyright permission but the translations are simply terrible.” (Fortunately the book has some original Polish songs in it as a saving grace.)
    One of the big problems is getting contact with CCLI. I’ve written a couple of times to them asking for information about a license for Poland and no one ever answered. There’s only a handful of countries where you can get a license and the rest of the world has to break the law. Why don’t they expand their operations?

  • http://www.musicademy.com/ Marie from Musicademy

    Hi Shari
    Here’s a response from Chris at CCLI for you:

    As stated before CCLI own no copyright works but only act as agent to the owner/administrator of the song or hymn through the Church Copyright Licence (CCL) or Music Reproduction Licence (MRL). The translation of songs is controlled fully by the copyright owner and they then inform CCLI which translation they have chosen and authorised for use. Should you feel that the translation of a work is done badly we suggest that you contact the copyright owner to inform them. Our role as a central agent for thousands of music catalogues is to simplify what can become a very complicated legal system for churches whilst ensuring the song owners are properly honoured for the use/reproduction of their work.

    With regards to CCLI working in Poland we are currently in talks with a number of different government agencies within countries across Europe. These agreements can take many years to complete but our heart is to continue to release the 200,000 hymn and worship songs included within the CCLI licences to churches and schools across the whole of Europe.

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