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Author Archives: Bob Kilpatrick

Writing great melodies

By Bob Kilpatrick | February 9, 2010

The melody is the aspect of your song that will immediately excite or bore your audience. It doesn’t take long to recognize that a tune is emulative, repetitive, lacking in creativity or just plain boring. Is there a way to learn to write great melodies? I’m not sure. I was asked recently if songwriting was gifting or training. It’s a good question, one without an easy answer. My reply was that it’s like seeing natural physical coordination in a child and knowing how that gift might be trained for football, baseball or gymnastics. I suppose my answer is that writing great songs is both a gift and a learned skill.

Too many aspiring songwriters rely on their natural musical gift and are lazy about increasing their skill or putting much work into songwriting. I’ve said it before, but it bears repeating; writing great songs is work and you’ll only get better by learning about it and exercising your musical muscles. If you have a knack for a melody, you, too, can be George Gershwin! Are you willing to put the time and effort in that he did to get where he got? Read More »

Posted in Song writing | Tagged Song writing, writing melodies | 2 Comments

Sound Man. Church hero.

By Bob Kilpatrick | October 28, 2009

SoundMan needs love. The church sound person is almost always a volunteer. This is not his full-time gig. During the week he’s repairing cars, selling insurance, cub reporting, peddling groceries, and on Sunday he becomes something other than a car repairer, insurance seller, cub reporter or grocer. He becomes -voila!- SoundMan! No one on the worship team cares anymore that he knows a Ford carburetor from one made by Chevy, or that he can tell you about the various whole life policies and their intricacies, or that the tomatoes are particularly good today. They just want excellent sound, and SoundMan had better come to the rescue. Bet on it, Sweet Polly Purebread prefers SoundMan over Underdog when she’s at the microphone.

Assuming that no local SoundMan wants to disappoint a frightened public that depends on him, I have some thoughts- the SoundMan Code- that will help him/her (yes, there is SoundWoman) do the job better and, when necessary, fake it convincingly.

1) SoundMan does best when no one knows his secret identity. That is, no one in the auditorium should be aware that there is anyone actually running sound. The better you do your job, the more invisible you are. You must strive to be the Clark Kent of your church. If anyone (other than guys like me) comes to you after the service and says ‘nice sound!,’ you have failed. It’s like someone saying “Aren’t you Superman with glasses on?”

2) SoundMan looks like other humans but he is different. He knows he is different. He has a responsibility at all times in all circumstances to be mindful of the fragile nature of the situation so that he can spring into action to quell any disturbance before the humans are even aware of it. That is, SoundMan does not close his eyes and sink into deep worship during the service. He runs sound like Nehemiah’s men rebuilt the walls of Jerusalem- they had a sword in one hand and a tool in the other. SoundMan never takes his mind or his eyes off the stage. He remains at his post with his  hands on the mixer, always at the ready. Read More »

Posted in MusiComedy, Tech stuff | 3 Comments

Advice for travellers – a timely guest post from Bob Kilpatrick

By Bob Kilpatrick | August 28, 2009

 I travel a lot. I just flew home from Texas two days ago. Two days from now I’ll be on an airplane bound for North Dakota. I’ve flown over a million miles with United Airlines alone. They gave me lifetime Premier Executive status when I reached seven figures. This was not a gift, though; it was an exchange. Award miles, bonuses, partner miles, rental cars and credit card purchases don’t count toward this.These are actual “tail in the pail” hours on endless jets. If you fly this much, you start to learn the lingo. You know what deadheading means, where the Shakespeare seat is,what FIM stands for and what a Rule 240 is (and what it does for you). I know that, in the event of a water landing, my seat will become a flotation device. (As Rick Enloe says, if it can become a flotation device, why can’t it become another airplane to carry us out of this situation or a bridge back to land?) I know that oxygen bags will appear over my head (sounds like a miracle) and that the bag will not inflate even though oxygen is flowing to the bag (another miracle.) I always return my seat and tray table to their upright and locked position, and my seat belt will forever be buckled low and tight across my waist. Read More »

Posted in MusiComedy | Tagged airports, comedy, travel advice, travelling | 3 Comments

How to write a really good worship song

By Bob Kilpatrick | June 29, 2009

Awhile ago I wrote an article titled “How To Write A Really Mediocre Worship Song.” It was a tongue in cheek examination of good song-writing in reverse. I received many emails with many different takes on what I’d written. Some were offended. Some were really, really offended (Perhaps they were spectacularly successful at writing mediocre songs and didn’t like me giving the secrets away.) Others laughed with me, and maybe at me… I don’t know.

At the recent Christian Musician’s Summit I taught a class on songwriting. The response was good. The class seemed to be paying attention, taking notes and all. They were actually taking this seriously. So, I’d like to make up for my past sins and give you some serious, straightforward songwriting tips.

Number One- Say One Thing. If you are writing a song about mercy, don’t introduce the subject of love; save that for another song. If your lyrics speak about the goodness of God, don’t speak about impending judgment. Stick tightly to your subject. Wrap your words like skin around it.

I wrote a worship song called “In My Life, Lord, Be Glorified.” There are only five notes to the melody of the chorus and only seven words in the lyric. It is a simple prayer. Had I also talked about the power of God, or His great love, I would have diminished the power of the song. I am of the opinion that when you say two things in a song, you cut the power of the song in half. Just like in prose or public speaking, a powerful message is a focused message. Keep it simple. Say one thing. Read More »

Posted in Song writing | Tagged Song writing, song writing ideas, worship song writing | 7 Comments

How to write a really mediocre worship song

By Bob Kilpatrick | June 16, 2009

the-shaggs
In most cases, one can use these three qualitative judgments- good, mediocre, bad- in descending order. Good is better than mediocre. Mediocre is better than bad. But, in my humble opinion, it’s different in song-writing; good is best, bad is good and mediocre is bad. As an example of proof I would reference the Shaggs “Philosophy of the World” album. Recorded (I believe) in the late Sixties by three sisters who (from what I have read) were forced into it by their father, this is one of the truly bad records of all time. It sounds like they could see each other but couldn’t hear each other while they played their instruments. And the songs!- Yikes! what terrible songs! Listening to this album is like watching a minor traffic accident unfold in front of you; not too hurtful and immensely enjoyable to have experienced. It is so bad, it ranks right up there just under good.

Mediocrity, on the other hand, is excruciating. It has the desire for excellence without the talent to make it happen. It’s the loser of the playoff game, the billiard ball that almost went into the corner pocket, the salutatorian of the graduating class. Having written hundreds of mediocre songs, I consider myself an expert. Consequently, I have deigned to share with you my tips on how to write a really mediocre song. These are road tested and guaranteed to work. Read More »

Posted in MusiComedy, Song writing | Tagged worship song writing | 8 Comments
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