A while ago I played at a festival where the most eventful memory of the whole day was the sound check! Not that the event wasn’t good, its just the sound check was the best organised, well thought out and most efficient one I’ve ever been to despite taking place at 7am! (Quite frankly for any musician there should be only one 7 o clock time per day and it shouldn’t be before lunch!)
Many sound checks can be time consuming, but the way this early morning check was organised meant that some of the unnecessary stages were cut out leaving much more time for rehearsing.
Most sound checks have three stages. Firstly each instrument is line checked. If you’re not familiar with the terminology this means that once the instrument is set up and mic’d or DI’d the sound engineer briefly checks that a level is coming through the PA and makes basic EQ adjustments to the amplified tone.
Once everything is line checked the engineer would generally ask each band member what other instruments they would like in their monitor and crucially at what volume. This is normally done by getting each instrument to play individually and then every musician says how much of it they want in their mix. And here lies the problem…. you have no overall volume level reference of where each instrument needs to sit in your mix until the whole band starts playing together. Once they start and you add in acoustic stage volume, everything changes. It’s then very difficult to communicate back to the desk what’s too loud or soft whilst you are trying to play. When you have stopped you try and remember your list of what was too loud or soft. Adjustments are made and the band plays again but because everyone else’s levels have changed, the mix you hear onstage is different and you need to tweak your monitor again, but you can’t because it’s very difficult to attract the soundman’s attention whilst playing…
The other outcome can be that volumes keep rising as everyone asks for a little bit more – especially when the congregation begins to sing.
When we soundchecked this way we found it not only saved time but also yielded a better and more detailed mix much sooner.
Try it this way. If it takes a while first go don’t worry, as you do it more you’ll speed up and leave much more time for rehearsing.
What do you think of this approach? How do you sound check? Any tips for others to learn from?
Do check out Musicademy’s Sound Tech and PA Training for Churches DVDs.
Other posts you might like:
Top 10 Do’s and Don’ts – Soundmen/women
In-ear monitoring for churches – Yes or No?
The sound engineers role in the worship team – video clip
Worship leaders, you’re killing us
What you need to run church sound – free survival guide handbook