{"id":3017,"date":"2009-12-08T17:28:29","date_gmt":"2009-12-08T17:28:29","guid":{"rendered":"http:\/\/www.musicademy.com\/?p=3017"},"modified":"2019-08-08T08:42:35","modified_gmt":"2019-08-08T08:42:35","slug":"12-tips-for-electric-guitarists","status":"publish","type":"post","link":"https:\/\/www.musicademy.com\/blog\/12-tips-for-electric-guitarists\/","title":{"rendered":"12 Tips for Electric Guitarists (from our 50+ Tips series)"},"content":{"rendered":"

Somebody recently pointed out that we\u2019ve missed electric guitar out of our 50 tips series! How could we?! Particularly since I\u2019m predominantly an electric player and its clearly God\u2019s chosen instrument too\u2026 So here goes.<\/p>\n

 <\/p>\n

    \n
  1. Different approach to acoustic<\/strong>
    \nWhen acoustic players pick up an electric they tend go one of two ways. They either strum it just like an acoustic or play pentatonic bluesy lead lines. If you strum with an electric you basically need to play it a lot less than an acoustic. So strum the essential groove and work with the natural sustain of the solid body rather than against it with too much rhythm.<\/li>\n
  2. Play rhythmically<\/strong>
    \nThe typical job for an electric in most worship band settings is not so much a lead guitar but mainly to add colour and dynamics to the rhythm of the song. So try picking out the notes in the chords, use different voicings further up the neck, use combos of fretted and open strings but above all make it sound like a part that backs up the main groove of the song.<\/li>\n
  3. Use CAGED voicings<\/strong>
    \nThe CAGED system is based around the major and minor open chord shapes of C, A, G, E and D moved up the neck sometimes in conjunction with a bar chord. CAGED will give you a complete framework of how to play any chord in any position up and\u00a0 down\u00a0 the neck. If you are not familiar with CAGED its covered very thoroughly on our Intermediate Guitar Course<\/li>\n
  4. The capo is your friend<\/strong>
    \nSome people say the capo is a crutch. Think of it more of a tool that helps you make new voicings. If you play rolling jangley parts then use a capo to put the open strings in key and then the combo of open and fretted notes can create some great drone sounds.<\/li>\n
  5. Don\u2019t clash with the keyboard
    \n<\/strong>You play in the same octave spectrum as the keys so be careful not to clash with their parts. If you can’t hear them then watch their fingers to compliment their rhythms. Try to play in different spaces, with different tones and in different octaves. Also remember you don\u2019t have to play all the time so if they are doing something nice, give em space!<\/li>\n
  6. Play texturally
    \n<\/strong>Think about using your electric to add textural parts to a song a bit like in the way keyboard players use pads and filters.<\/li>\n
  7. Effects<\/strong>
    \nI tend to use\u00a0two overdrives, one for general and one for big out there sounds, a delay, some compression for tighter cleaner sounds and the occasional bit of modulation like chorus or tremolo to add some texture. The key things are really drive and delay. Delay can thicken up tones, add a sense of sustain to ringing chords as well as rhythmic textures like dotted 8th notes for U2 type sounds<\/a>. However the golden rule is the delay time must be in synch with the songs’ tempo. Too slow and your notes sound indistinct and muddy and too fast and they sound like they are running away from you. Generally the more delay and reverb type effect you use the more your sound will seem to place itself at the back of the mix. So don\u2019t overdo it unless you are specifically trying to create a texture or a wash.<\/li>\n
  8. Don\u2019t use as much distortion as you think<\/strong>
    \nListen to the guitars on some of the quintessential classic rock tracks and many have much less distortion than you think. In fact too much distortion will loose you clarity in the mix. So practice playing with less gain, and executing each chord more clearly. Also great distorted tones are often quite dry so be careful of adding too much rev or delay as it can accentuate the high frequencies in a not too pleasant way. Again using both of these ideas will help you cut through the mix much better.<\/li>\n
  9. Play with volumes and tone controls
    \n<\/strong>Guitar volumes are really designed to work best fully open. Backing them off can loose treble, same with tone controls too. However for some sounds this may be exactly what you want and there are many players who can create a variety of great tones just by playing with these controls. For overdrive with my Telecaster I\u2019ll back the tone off to 8 and then adjusting the volume gives me more or less distortion.<\/li>\n
  10. Use more mid<\/strong>
    \nIf your motifs and lines don\u2019t cut through the mix then use a little more mid to add punch. This is exactly why the Eric Clapton Strat has an active mid boost control. Pedals like the Ibanez Tubescreamer also have a natural mid \u2018hump\u2019 in their inherent tone and if your amp doesn\u2019t have a mid control there are various drive pedals that will give you a dedicated mid pot.<\/li>\n
  11. Small tube amp<\/strong>
    \nMost churches play at a volume WAY below the level most classic tube amps sound best at so there\u2019s no point in buying your ultimate 100, 50 or even 30 watt weapon if it\u2019s just for church environments. However in the last two years amp makers have cottoned on to this and there are now loads of good quality 5-10 watt amps that sound great at low volumes.<\/li>\n
  12. Amp positioning<\/strong>
    \nIf you stand right next to your amp you\u2019ll only hear a very bassy tone but the people in the front will hear all the treble. So try to place the amp 6-10 ft away from you if possible. Speaker stands to get the sound up towards your ear lifting it away from the floor can loose bass and low end. Angle the speaker up towards your but keep it locked to the floor.<\/li>\n<\/ol>\n

    \u00a0<\/strong><\/p>\n

    Other posts you may find interesting:<\/strong><\/p>\n

    Which pedals do I need to start playing in a worship band<\/a>?<\/p>\n

    Using a capo to play guitar in awkward keys<\/a><\/p>\n

    How to increase speed when playing guitar<\/a><\/p>\n

    Small amps great sound<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    Somebody recently pointed out that we\u2019ve missed electric guitar out of our 50 tips series! How could we?! Particularly since I\u2019m predominantly an electric player and its clearly God\u2019s chosen instrument too\u2026 So here goes.   Different approach to acoustic When acoustic players pick up an electric they tend go one of two ways. They […]<\/p>\n","protected":false},"author":10,"featured_media":9211,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[582,874,1502,49],"acf":[],"yoast_head":"\n12 Tips for Electric Guitarists (from our 50+ Tips series) | Musicademy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musicademy.com\/blog\/12-tips-for-electric-guitarists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"12 Tips for Electric Guitarists (from our 50+ Tips series) | Musicademy\" \/>\n<meta property=\"og:description\" content=\"Somebody recently pointed out that we\u2019ve missed electric guitar out of our 50 tips series! How could we?! 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