{"id":9137,"date":"2016-09-13T16:14:51","date_gmt":"2016-09-13T16:14:51","guid":{"rendered":"http:\/\/www.musicademy.com\/?p=9137"},"modified":"2019-07-16T11:25:24","modified_gmt":"2019-07-16T11:25:24","slug":"power-chords-worship-guitar","status":"publish","type":"post","link":"https:\/\/www.musicademy.com\/blog\/power-chords-worship-guitar\/","title":{"rendered":"Power Chords \u2013 a cheats\u2019 guide to playing difficult chords"},"content":{"rendered":"<h2>As a worship guitarist, have you ever been faced with a chord that seems impossible to play?<\/h2>\n<p>Imagine the situation &#8211; you\u2019re comfortably strumming along with a typical song that goes G, C, Em, D, and then out of nowhere pops an Eb minor add 13 sus 26 half demolished. What do you do?<\/p>\n<p>One helpful \u2018cheat\u2019 method around playing a chord like this is to play a \u2018power\u2019 chord instead. Power chords are really common in rock music and if you have grown up as a lead guitarist you will already be very familiar with them. However, if you mainly play regular open chords then learning about power chords can open up a whole realm of new playing possibilities for you.<\/p>\n<p>The simple thing about playing power chords is that you only need to learn one chord shape. This shape is then used in different places on the guitar neck depending on which chord sound you want. The only thing that changes is the name and position of the chord, not the shape of the chord.<\/p>\n<h2><strong>One Shape?<\/strong><\/h2>\n<p>Yes! Just one chord shape, and you can place that one shape in loads of different positions all over the guitar neck to find whichever power chord you need. Let\u2019s take a look at the shape described as a \u201cG Power\u201d otherwise known as a \u201cG5 chord\u201d.<br \/>\n<img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9138\" title=\"G5 power chord\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122629\/G5.png\" alt=\"\" width=\"200\" height=\"132\" \/><\/p>\n<p>So, 1<sup>st<\/sup> finger (index), string 6 (low E string), fret 3, do nothing with your second or middle finger and then place fingers 3 and 4 (ring and little) on strings 5 and 4 (A and D).<!--more--><\/p>\n<p>Now, when you play this chord only strum the strings with your right hand that your left hand is fretting. I.e. just play strings 6, 5 and 4.<\/p>\n<p>That G5 chord you are now playing will sound fine as a substitute for most major, minor or extended variants of the G chord such as Gadd9, Gm7 etc. It will also sound quite \u2018rocky\u2019 if you play it on electric guitar with a bit of distortion.<\/p>\n<h2><strong>What about harder chords?<\/strong><\/h2>\n<p>If we now want to play a power chord instead of a much harder chord such as E<em>b<\/em> all we have to do is take the same shape but make sure we play it in a place where our first finger is on the E<em>b<\/em> note as below.<\/p>\n<p><a href=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122628\/Eb5.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9139\" title=\"Eb5 power chord shape\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122628\/Eb5.png\" alt=\"\" width=\"209\" height=\"163\" \/><\/a><\/p>\n<p>Or for a B chord it would look like this:<\/p>\n<p><a href=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122627\/B5.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9140\" title=\"B5 power chord shape\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122627\/B5.png\" alt=\"\" width=\"202\" height=\"157\" \/><\/a><\/p>\n<p style=\"text-align: left;\">D like this:<\/p>\n<p>\u00a0<a href=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122626\/D5.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9141\" title=\"D5 power chord shape\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122626\/D5.png\" alt=\"\" width=\"203\" height=\"132\" \/><\/a><\/p>\n<p>A#5 like this:<\/p>\n<p><a href=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122625\/A5.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9142\" title=\"A#5 power chord shape\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122625\/A5.png\" alt=\"\" width=\"204\" height=\"140\" \/><\/a><\/p>\n<p style=\"text-align: left;\">You get the idea. So to play any power chord keep the same shape and just make sure your 1<sup>st<\/sup> finger lines up with the correct bass note on string 6 or 5. Be aware that this shape will not quite work for bass notes on strings 4 or 3. So try taking a look at the notes below on strings 6 and 5 and play a song you know just using power chords.<\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\"><strong>Fret<\/strong><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\"><strong>6th E String<\/strong><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\"><strong>5<sup>th<\/sup> A String<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">0 (open)<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">E<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">A<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">1<sup>st<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">F<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">A# \/ Bb<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">2<sup>nd<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">F# \/ Gb<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">B<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">3<sup>rd<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">G<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">C<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">4<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">G# \/ Ab<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">C# \/ Db<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">5<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">A<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">D<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">6<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">A# \/ Bb<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">D# \/ Eb<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">7<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">B<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">E<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">8<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">C<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">F<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">9<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">C# \/ Db<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">F# \/ Gb<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">10<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">D<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">G<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">11<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">D# \/ Eb<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">G# \/ Ab<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"79\">\n<p align=\"center\">12<sup>th<\/sup><\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">E<\/p>\n<\/td>\n<td valign=\"top\" width=\"108\">\n<p align=\"center\">A<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h2><strong>So why does this work? &#8211; the technical bit<\/strong><\/h2>\n<p>The reason why a power chord will work instead of any major or minor chord is that a regular major chord is made up of three separate notes from the major scale \u2013 the 1<sup>st<\/sup> the 3<sup>rd<\/sup> and the 5<sup>th <\/sup>notes. Minor chords are also the 1<sup>st<\/sup>, 3<sup>rd<\/sup> and 5<sup>th<\/sup> notes but this time the 3<sup>rd<\/sup> is lowered by one fret or one semi tone. (See May 2005\u2019s article on tones and semi tones) Eg a G chord is as follows<\/p>\n<p><a href=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122624\/Power-chords-table.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9143\" title=\"Power chords table\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/07\/08122624\/Power-chords-table.png\" alt=\"\" width=\"337\" height=\"149\" \/><\/a><\/p>\n<p>With the power chord shape each chord just uses the 1<sup>st<\/sup> and 5<sup>th<\/sup> notes and then the 1<sup>st<\/sup> again with the little finger. This shape misses out the 3<sup>rd<\/sup> note (the note which gives the chord either a major or minor sound). Therefore power chords are neither major or minor chords and so will work over either.<\/p>\n<p>So for instance with your \u2018Db minor add 13\u2019 chord as long as you play a Db power chord you should be able to get away with making a sound that doesn\u2019t clash with anyone else\u2019s sounds providing that they are playing the right notes themselves! This also works very well in the key of E and power chords with a string 5 bass note as open strings 2 and 1, (notes B and E respectively) fall very nicely into that key and so can be played at the same time as any power chord you choose in that key. You may have already done with songs like Better is One Day, Everything that has Breath and Its Rising Up.<\/p>\n<h2>Have Andy teach you how to use Power Chords<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-10048\" src=\"https:\/\/drc0fhsrp02et.cloudfront.net\/wp-content\/uploads\/2012\/11\/NBG_Flat_Front.jpg\" alt=\"New Beginning Worship Guitar Course\" width=\"250\" height=\"352\" \/>We cover all this and more in our Beginning Guitar Course. Click below to access the lessons:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.musicademy.com\/blog\/store\/uk\/christian-guitar\/beginner\/beginning-worship-guitar.html\">4 DVD set<\/a><\/li>\n<li><a href=\"https:\/\/www.musicademy.com\/blog\/store\/uk\/christian-guitar\/guitar-downloads\/new-beginning-worship-guitar.html\">Online downloads<\/a> &#8211; part 17 covers power chords<\/li>\n<li><a href=\"https:\/\/www.musicademy.com\/course\/beginning-worship-guitar-course\/\">Subscription site<\/a> &#8211; part 17 covers power chords<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>As a worship guitarist, have you ever been faced with a chord that seems impossible to play? Imagine the situation &#8211; you\u2019re comfortably strumming along with a typical song that goes G, C, Em, D, and then out of nowhere pops an Eb minor add 13 sus 26 half demolished. What do you do? One [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":17781,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[24,554],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Power Chords for beginners \u2013 a cheats\u2019 guide to playing difficult chords<\/title>\n<meta name=\"description\" content=\"As a worship guitarist, have you ever been faced with a chord that seems impossible to play? 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