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Category Archives: Tech stuff

Why we need to freshen up our worship. And why loops can help.

By Guest Blogger | May 17, 2013

Creativity in Worship (Why I use loops)

A few years ago I moved to a new house situated along the flight path into Manchester airport, one of the busiest airports in Northern England. The first few weeks consisted mainly of broken sleep and sudden shock as yet another noisy plane would cut through the air above our little house. However, in a surprisingly short amount of time I adjusted to the familiar sound of the aircrafts and soon I didn’t even hear them.

Our next house was in a town centre adjacent to a shopping centre and a multi story car park which was also the evening residence for a tribe of noisy seagulls. At 6am every morning the metal shutters of the centre were pulled open, the alarms reset and the seagulls would launch into full chorus. Again, within a few months this noise was simply filtered out.

Scientists explain this process of filtering as Habituation. They refer to a specific structure in the brain stem called the pons, which as well as our hearing deals with our sleep, respiration, swallowing, bladder control, equilibrium, taste, eye movement, facial expressions, facial sensation, and posture. This process of habituation is even the main form of treatment for hearing issues such as Tinnitus.

Habituation is defined as the brains ability to filter or ignore familiar, repetitive or even boring noises!

Now as a worship leader I find this all a bit scary! Read More »

Also posted in Worship leading | Leave a comment

Ask the Expert – Recommendations for mics with a large area pick up pattern

By Guest Blogger | March 27, 2013

We had an email from Terry who works for the U.S. Federal Courts in South Carolina. He asks:

Do you have a recommendation for the best microphone for large area pick up pattern? I need to mic the gallery of a courtroom without having the individuals leave their seat to walk to a microphone. The wireless mic option is out.

One of our “resident” PA experts from SFL (with whom we are currently working on producing a PA training DVD), Patrick Smith replies:
Sometimes a seemingly short and simple question requires a long answer. This is an interesting one, not least because the answer actually touches on a number of topics which are relevant to a range of other situations many readers may commonly experience, for example mic’ing a lectern or choir.

The answer is going to depend a lot on what you want to do after the microphone. Is this for recording or is it for live sound reinforcement/amplification?

Recording

If this is for recording then any microphone with a wide cardioid or even omni-directional pickup pattern will do a reasonable job. You could look at boundary microphones (sometimes called “PZM” mics) which can be mounted discretely onto a wall or other surface in the vicinity of the gallery, examples would be the Shure B91 or AT U851A. For something you can stick up on a stand ad-hoc even a standard SM58 will do a fair job. Read More »

Also posted in Ask the expert | Leave a comment

How to plan for DIY Acoustic Treatment

By markj@andertons.co.uk | February 20, 2013

No matter how good the monitors or the digital to analogue converters that recreate your waveforms are, it is almost certainly the room in which you’re sat that will be letting you down sonically. Many of us, working domestically these days, have smaller than ideal spaces in which to monitor and record. So what can be done, and on a budget?

Common problems
Before we begin, we should consider how a typical room deals with the sound generated within it. That is an important distinction. This series is not about sound proofing, which is an all together different animal. None of the treatments here will help soundproof your room!

Essentially sounds within any room reflect off the surfaces whether that be totally from a shiny hard surface such as a tiled wall (acting as an acoustic mirror if you like) to total absorption (as if there were no surface there). The latter can be experienced in what is known as an anechoic chamber. I’m not sure any of us would like to work in as dead a space as that! However what we need to do is to tame the reflections, or manipulate them to provide us with an even and predictable frequency response.
Standing waves

The first nasty to look for are the standing waves. Those are the waves that reflect and interact with each other either causing a large boost or dip in frequency response at your listening position. These reflections you can often hear in the bass end of your rooms as a boost occurs as certain notes and not others. Already you’re experiencing the unevenness of your listening space. Read More »

Posted in Tech stuff | Tagged acoustic treatment, Recording, studio | Leave a comment

Transitioning worship (Part 2) Technology improvement

By Kenny Lamm | February 11, 2013

Here we have another warmly welcomed guess post from our friend Kenny Lamb who works with the Baptist State Convention in North Carolina, USA.

Just to say from the outset – just because this talks about transitioning to a contemporary style of sung worship it doesn’t necessarily mean you HAVE to have this level of equipment or budget. Please take it more as some practical thoughts to work through if your church is considering something similar.
Andy

East City Church has begun a journey of worship transformation. In my previous post on transitioning worship styles, I introduced the church and the summary of steps that would be needed. This week, I will explore the need for technology improvement to support the desired changes.

East City Church has a reasonably good audio system already in place. However, the demands on the system will be much greater as the church begins to incorporate a worship band and vocal team in addition to their current offerings. Additionally, the church does not have a video system at all in the sanctuary; so much is to be done to provide video support.

Providing the infrastructure of audio and video support can take quite a bit of time to get into place, so start this area early on in the process.

The church plans these action steps: Read More »

Posted in Tech stuff | Leave a comment

Learn an innovative sound check method that makes musicians happy at 7am!

By Andy@Musicademy | October 30, 2012

A while ago I played at a festival where the most eventful memory of the whole day was the sound check! Not that the event wasn’t good, its just the sound check was the best organised, well thought out and most efficient one I’ve ever been to despite taking place at 7am! (Quite frankly for any musician there should be only one 7 o clock time per day and it shouldn’t be before lunch!)

Many sound checks can be time consuming, but the way this early morning check was organised meant that some of the unnecessary stages were cut out leaving much more time for rehearsing.

Most sound checks have three stages. Firstly each instrument is line checked. If you’re not familiar with the terminology this means that once the instrument is set up and mic’d or DI’d the sound engineer briefly checks that a level is coming through the PA and makes basic EQ adjustments to the amplified tone.

Once everything is line checked the engineer would generally ask each band member what other instruments they would like in their monitor and crucially at what volume.  This is normally done by getting each instrument to play individually and then every musician says how much of it they want in their mix. And here lies the problem…. you have no overall volume level reference of where each instrument needs to sit in your mix until the whole band starts playing together. Once they start and you add in acoustic stage volume, everything changes. It’s then very difficult to communicate back to the desk what’s too loud or soft whilst you are trying to play. When you have stopped you try and remember your list of what was too loud or soft. Adjustments are made and the band plays again but because everyone else’s levels have changed, the mix you hear onstage is different and you need to tweak your monitor again, but you can’t because it’s very difficult to attract the soundman’s attention whilst playing…

The other outcome can be that volumes keep rising as everyone asks for a little bit more – especially when the congregation begins to sing.

The 7am alternative goes like this  Read More »

Posted in Tech stuff | 10 Comments
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